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Welcome to My World!

Contact me for commissions or projects at:

lemmie.emmie184@gmail.com

Instagram: @lemmie.emmie

Illustrator

Four gummy bears of different colors (orange, green, red, and blue) are lined up in a square. They appear to be holding off-white rectangles of paper tinted similarly to their own color.

A half elf (in a white dress) and a tiefling (in a black tuxedo) are embracing in the moonlight under a starless sky. They are kissing each other with passion as the half-elf stabs the tiefling in the chest with a dagger. Both of them are crying.

An anthropomorphic barn owl in a purple galaxy-colored robe with a gold accent down the middle holds a wooden staff that’s knotted at the top. Atop the knot sits a raven with three white feathers on its chest. The owl looks out to the viewer with his galaxy-filled eyes, holding a wood-carved butterfly in his sharp-taloned hand. His brown and white wings frame him from behind, and he also wears a purple and blue gemmed band, a four-point diamond-shaped emerald necklace, and gold shoulder pauldrons.

A petite cyclops girl with a sharp toothed grin stares at the viewer from behind her back as she hold a bomb with a lit fuse. Around her, there is already smoke billowing and framing her figure. She has wild hair put up into a pony tail with bangs that frame her face.

A star-touched elf (Elf race in The Dragon Prince) walks toward the left-hand side of the piece, glaring over her shoulder at a stained glass window. The elf’s skin color is deep blue, freckled with white constellations. She also has glowing white facial tattoos native to the race and horns banded to signify her soon-to-be marital status. She wears a sleeveless black dress, her form partially shadowed by the dark hallway she is in. The stained glass window is formed from four square and two triangular plates of glass that meet in the middle. The two triangular shapes show a close-up of the woman’s eyes. The square plate under them and to the left shows a scene of the woman embracing another unknown woman in her arms under a starry sky while she looks up at the moon. To the right, the woman reaches out toward the left-hand side and looks behind her as an arm belonging to an unknown figure grabs her arm and pulls her back. The bottom left-hand panel shows a scene of the woman casting magic from a book while the one to the right of that shows her in a wedding dress and veil, holding blue flowers. The entire right-hand side panels are blue and indigo caste while the entire left-hand side panels are pink and purple caste. All of the panels are held in a silver, ornately decorated frame.

A non-descript black cat with orange eyes crawls out of the screen of a phone, an aura of orange light following it. The phone is placed on a dining table, where a tray with a bowl and a cup, and a salt and pepper shaker are visible. There's a black vignette around the corners and edges of the piece.

A woman in a hero costume gets ready to push off of a metal railing to fly in the sky. The costume is gray, yellow, and green, and frequently has lemon shaped patterns on it. She also wears a green cape and has golden hair. We get an arial view of a cityscape below, and there are pigeons surrounding the woman as she gets ready to take flight.

A bust shot of a horse is in the foreground. The horse is made out of cactus, a flower blooming off its nose. It tilts its head down revealing an oasis spring at the top of its head, framed by two desert trees. Water from the spring spills out in front of the horse’s closed eyes and quickly turns to mist before reaching the horse’s nose. Behind the horse is an indistinct desert background.

This piece contains five figures. All of them are in an arena with dirt ground and a blue-gray bricked half-wall. Above the wall are two of the figures, bigger in scale than the other three. Both are anthropomorphic owls. The one on the left is a barn owl with a stern expression and deep brown eyes. Most of his right wing is clipped off, and he has what appears to be a raven or crow beak sewn where his original beak used to be. The figure next to him is a female horned owl with a devious smile on her face. She’s in a red robe that exposes the middle of her torso in a deep v shape with golden accents and pauldrons. On the right side of her face is a quarter of a gold mask, designed to look like clockwork. Around the opening of the eye are the numbers 1-12. She has bright green, slit-pupil eyes and we can see the start of the long red gloves she wears on each of her arms. On the ground below them are three figures facing the other two owls, backs turned to the viewer. One humanoid and two owls on either side of her that she’s wrapping an arm around. The humanoid wears an off-white hooded robe that goes to her ankles. It has gold accents and three golden outlines of eyes on her back and both of her arms. Her hood is up and covering her head and we can see that her feet are the color of a purple galaxy. The owl to the left of her is another barn owl, with a purple galaxy-colored, hooded robe that covers his whole figure except for his head. His wings frame his figure. He also holds a wooden staff that is knotted at the top. a raven is perched on the knot. The owl to the left of the humanoid woman is another horned owl in a black hooded robe. It also covers his entire body except for his head, and his wings frame his body. He holds a wooden staff that merges into an indistinct bird at the top, fanning its wings up and into a circle.

Phone

(607) 331-6756

Connect

Email

lemmie.emmie184@gmail.com

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